As it is seen
Grays Wharf Gallery
MELANIE STIDOLPH
6 – 29 Oct 2022
‘As it is seen’ finds a visual and poetic language for the artist’s experience of involuntary childlessness through two bodies of work.
A series of photographic works titled ‘Last Summer’ show scenes of families with young children at the edge of the sea. They focus on how we arrange ourselves and signal our belonging. These photographs look at the shape of groups and how togetherness is demonstrated through gestures and distance, our sense of which is heightened now after coming through the pandemic.
Stidolph says:
The slow observational process of creating the work is a form of healing; as I took the first shot, I realised it was the first time in a long time I could look long enough to compose a photograph, rather than look away from a scene I could not recreate in my own life.
The exhibition launches Stidolph’s first photo book: ‘Endless Reproduction’ which shares a perspective of a journey to being childless not by choice.
From the Epigraph:
2022. Cornwall, home. Twenty two years after having children became a focused ambition. I spent years in the mind of my imagined near future – trying to will an increasingly distant life closer to me, whilst trying to hold myself in the present.
The exhibition is accompanied by a free publication featuring an essay about Stidolph’s practice by writer Lizzie Lloyd ‘A body, in parts, interjects’ commissioned by Cultivator Cornwall, a response to the work ‘Endless Reproduction’ by Paola Paleari, curator and writer, and an interview with the artist by Stefanie Braun, freelance curator, commissioned by Photomonitor.
Click here to view a digital version of the publication.
This exhibition is part of a new programme supported using public funding by the National Lottery through Arts Council England.